Song: In My Garden
Label: Virgin UK/Spotify Ltd
Brioni is an artist in every sense of the word. Hailing from London, her approach to music is unprecedented as she utilizes her chromesthesia, a type of synesthesia where sound involuntarily evokes the experience of seeing colors. Being an experienced music producer and painter, Brioni successfully intertwines both worlds in a way that is wholly original. How is this done you ask? Well, the colorful textures she perceives when hearing music are depicted by her in her paintings, and when she performs she performs solo on stage playing her paintings as an electronic drum all connected with a keyboard, controller, and laptop. It’s like her paintings have transcended the visual world and have developed it’s own auditory language. Her music is heavily Electronic with atmospheric sound textures and pulsating drum machines, and it’s all packaged in an infectious Pop style that is accessible yet artistic. Her new single “In My Garden” is no exception, and the theme behind the song is also unsurprisingly unique. After reading a book about the flowers language used to write secret messages, Brioni was inspired to use this in a song. With the two plants “Fox Gloves” which can translate to “lies,” and “Honesty” which translates to “honesty and realness,” she metaphorically guides us though her own garden which represents her life. She uses this to analyze herself. To walk her through her early insecurities and need to please people, only to realize that there was no need to be someone she’s not, and that alludes to the “Fox Glove” theme. As she comes to the realization that being her true self is a lot more liberating and that people will accept her for who she is, she plants her garden of honesty. The fact that she’s able to conceptualize something like that is truly remarkable, and that makes her an artist to keep your eye on. Brioni has also teamed up with an organization called “Treedom Trees.” 50% of her profit will go to them to help plant trees worldwide.
Written By: Steven Sandoval
Artist: Jordan Bussell
Album: Wolves & Curses
Genre: Folk/Indie Rock/Blues
When an artist can successfully convey the emotions derived from a sentimental concept and teleport you to the world they’ve built through their music, it’s an experience like no other. For Plymouth, UK based artist Jordan Bussell, it’s as if this is second nature to her. Her debut album Wolves & Curses is incredibly focused with a concept that can resonate with anyone. Written, performed, and produced entirely by herself, this is a concept album that tells the tale of a relationship gone bad. A relationship that reaches its long overdue ending, and Jordan unsparingly walks the listener through the myriad of emotions felt during the process of a relationship like this. She uses the “wolf” character to represent the curse that has been thrust upon her in this fading relationship, and she sings her woes in a way that is soothing yet dark. Instrumentally this music isn’t overbearing or overproduced. It’s subtle yet contains an atmosphere that reflects a desolate wilderness where Jordan works through her solitude. When hearing this music I can just smell the smoky campfire wood, but this isn’t just someone sitting around a campfire singing “Jimmy Crack Corn,” this is Folksy Blues with a darker and more melancholy edge that at the same time doesn’t sound too defeated. Her voice, fragile yet powerful, is beautifully comforting. It’s music that can sing you to sleep, but also captivate you with its sincere content and enthralling concept that invites you into the mind of an ambitious visionary. In a world now where the “concept album” is a rare commodity, it’s refreshing hearing an album with such vision.
Written By: Steven Sandoval
Artist: Furrowed Brow
EP: Dead Dead Dead Still Digging
Genre: Post-Punk/Art Rock/Indie Rock
Label: Notes From Underground
With an infinite supply of wit and a deliciously sardonic sense of humor, Manchester band “Furrowed Brow” have given us their debut E.P. Dead Dead Dead Still Digging. Is this a gift, or a curse? Well, are you fluent in sarcasm? Can you handle lyrical content expressed from the point of view of someone who is being both cynical and ironically hopeful while they lay the absurdity of us humans flat out on the table? Can you handle the idea that the listener, myself included might completely misinterpret their music while the meaning goes over our witless heads? Can you handle the idea that you might delve too far into the lyrical content to decipher meanings that might not even be there? If this is confusing to you, then I can assume you’re not interested. Carry on. If an unclassifiable combination of Punk with glamour, a brazen humor, colorful synths that evoke the spirit of bands such as Magazine or Live at the Witch Trials era The Fall, strong Manchester lingo, and a vocal delivery glamorously rambled like Mark E. Smith with glitter, then this is an album for you. This music has no boundaries, and yet, it’s not shock for shock’s sake. There is a method to their madness. There is a reason why they made a track like “Killed Myself and the Kids” so damn catchy to the point where it’ll have you walking around singing along to the chorus for days while people raise their eyebrows at you, (I wouldn’t recommend doing that) and it’s up to you to find the reasons why. As for me, I see them as a fearless and refreshing band that brings a relentless bite back to Rock & Roll. A band as intelligent as they are appreciative in comedy while they analyze the human condition in a cleverly satirical way instead of waving their fingers at us. They’re classy, but not afraid to rough us up a bit, and that’s a juxtaposition you don’t usually see in contemporary music. I’m excited, but I also feel a little insulted, and I love it.
Written By: Steven Sandoval
On this day in the year 2000 “A Perfect Circle” released their debut album Mer De Noms. “A Perfect Circle” was created by former guitar technician Billy Howerdel. Upon meeting singer of “TOOL” Maynard James Keenan, Howerdel and Keenan quickly became friends and even ended up becoming roommates. This gave Howerdel the chance to show Keenan his demos he had been working on, which impressed Keenan so much that he proposed the idea of singing over Howerdel’s tracks. After Adding bassist and violinist Paz Lenchantin, guitarist Troy Van Leeuwen, and drummer Tim Alexander who was soon replaced by Josh Freese, “A Perfect Circle” was fully formed. Don’t for one second think this is a supergroup or side project though, because the band have garnered their own fan base. Coming from a band as revered as “TOOL,” it must have been frustrating for Keenan to constantly hear people compare the two bands. Many wanted to hear “TOOL” part 2, but what we got was a whole new project that found Keenan showing a more melodic and emotional side that found the singer exploring themes of love and relationships as opposed to the analytical and often aggressive nature of “TOOL.” The goal to form a band that was as taken seriously and equal to “TOOL” was accomplished. “A Perfect Circle” still to this day have a large following of devoted fans. Happy Anniversary!
We still have to wait a couple of months before we’ll finally be able to hear the new “Ganser” album Just Look At That Sky, but today the band have released another taste of their upcoming album and it’s the closing track titled “Bags For Life.” About the song, the band have stated “It’s about how strange the end of the world would be on the internet.” Name a theme more fitting right now. Ganser’s new album Just Look At That Sky will be released on July 31st via “Felte.” You can listen to “Bags For Life” below:
It’s been heartwarming seeing all of the music videos compiled of video submissions from people all over the world during lockdown. Today Pragnya Wakhlu has released her own music video featuring lovely video submissions and it is a lighthearted watch that will keep you going if you’re feeling down about this whole situation. About the video, Pragnya asked fans to send a video representation of what love means to them, and it’s interesting seeing different interpretations from people all over the world. You can watch the music video for “Fallin'” below:
Artist: The Joyful Sadness
Song: Perfect Alibi
Genre: New Wave/Post-Punk/Electronic
Hailing from Preston, UK, “The Joyful Sadness” is a musical project created out of a subconscious desire to deal with repressed memories. Formed in April 2020, no time has been wasted as one single titled “Memories of You” was released last month, and now a follow-up single titled “Perfect Alibi” will be released this Friday on the 22nd. Much like “Memories of You,” “Perfect Alibi” is a sentimental track that explores vulnerability to reach a point of catharsis. Anyone who has been in a toxic relationship where you give and invest much time in your partner only to not have those feelings reciprocated will find solace in this track. Sometimes we don’t notice when our significant other is being toxic. It’s easy to develop codependency out of a fear of being alone or being lost in someone, and when it’s unrequited it does some serious damage. “The Joyful Sadness” delves into this subject with a style that draws heavily from genres such as “Dark Wave” and “Post-Punk.” With moody atmospheric synths, this subject is explored in a darker fashion because he knows relationships aren’t all sunshine. That sincerity is immensely admirable. You can pre-save “Perfect Alibi” below:
Less than a week after the official release of her new single “Muse,” Maryze has shared her new music video to accompany it. It features wonderful videos from people all over the world during the COVID-19 quarantine, and it also has cats! You can watch the music video for “Muse” below:
Genre: Indie Rock/Post-Punk/Noise Rock
It’s hard speaking about mental illness sometimes. The fear of alienation from others is something that plagues your mind when dealing with a mental illness. That along with overwhelming feelings of self-doubt, self-hatred, nihilism, depression, and existentialism are all things that can prevent someone from letting people in, but one creative outlet to exorcise your demons is music, and Bristol UK based band “Mazmere” most definitely face the cycles of mental illness head-on with no compromise on their new E.P. MBJDEBNRBM. This music is pure raw energy with manically noisy instrumentation that perfectly reflects lead singer Jake Sinetos’ deep dive into the darker parts of the human mind. You know, the parts you try to ignore and distract yourself from with whatever form of escapism you fancy. This music can be ugly, but I mean that in the kindest way possible, because ugly music isn’t always a bad thing, in fact there is much beauty to find in macabre art. The beauty in this E.P. is found in its fearless lyrical content that instead of coming off sounding like a motivational speech, tackles the complexities of your inner-voice that isn’t always so optimistic. That in itself is uplifting, because once you embrace your demons and continue to fight them, you can seriously take on anything, and the representation of that through this music is exhausting yet liberating. This is most prominently expressed on the track “Skeletons.” “This house is full of medicine that gives you no cure. You’re bouncing off the walls again. You’re twisted with fear. Fear of yourself is worse than what is real, so find your demon, and cut him a deal” sings Sinetos. This is the albums biggest tearjerker as our protagonist gives us a tour of this cycle in his mind, a cycle that isn’t for the faint of heart, but is necessary to understand those less mentally fortunate. Once this track erupts with its musical climax, it’s hard not to feel like you’re floating as your demons either begin to decay, or ride with you. It all depends on your interpretation. Without sounding too inaccessible, this E.P. is brutally honest, and that’s something we should all strive to explore in music.
Written By: Steven Sandoval
Song: Aros Am Byth
Genre: Indie Pop/Psych-Pop
Label: Libertino Records
Welsh artist Dylan Hughes under his “YNYS” project makes the kind of dreamy music that takes you on a meditative journey with a juxtaposition of sunny day “Indie Pop” and night time melancholy. His new single “Aros Am Byth” is no exception, but this time around he incorporates 70’s Italian Disco synths to create a lush tune that is as attention grabbing as it is humble. Instead of going full-on Disco, Hughes utilizes these synths to fit his distinct musical world he has created, and my does he pull off this sound well. About the track Hughes has stated “The vibe I was trying to get was Jeff Lynne taking over the studio after being at a Tame Impala listening party.” Well, mission accomplished because this sounds like an “Electric Light Orchestra” ballad from an alternate universe or “Tame Impala’s” younger brother, and it’s modern enough to not sound too anachronistic. It’s both a fun and tender tune.
Written By: Steven Sandoval