Artist: Charlotte Adigéry
Genre: Electronic/Experimental Pop/Synth-Pop
Zandoli, the new E.P. from Belgian-Caribbean artist Charlotte Adigéry is utterly unique “Electronic” infused “Pop” that is immensely refreshing. This is her second E.P. following her 2017 self-titled EP, and her work with frequent collaborator Bolis Pupul has reached new heights. The two work together perfectly. Adigéry flourishes on each versatile track with sensual swagger with vocal and lyrical content that can be just as playful as it is imaginative, and I really do mean the production is versatile, because these are shapeshifting multifaceted tracks that can be tribal influenced like the all French sung opening track “Paténipat,” and then they can be rich in danceable wonkiness like the track “High Lights,” which has an unorthodox approach to “Pop” with it’s skittering synths. “I know I shouldn’t do it, but I like synthetic wigs a lot,” sings Adigéry, paying homage to the empowerment of wigs and hair extensions, and though this may sound surface level, the way she delivers this theme is completely liberating. Adigéry is an impressive and thoughtful poet as well, metaphorically speaking on sex and seduction on the track “B B C,” and considering how seamlessly she transitions from this track into the conceptual closing track “Okashi,” it’s evident that Adigéry is far from one-dimensional. Unfortunately this E.P. flies by with each listen, because it’s only 5 tracks in length, but every second of these tracks are vastly promising, and they leave me begging for a full-length album this year.
Written By: Steven Sandoval