Artist: Machine Girl
Album: U-Void Synthesizer
Genre: Electronic/Hardcore/Breakcore/Industrial/Drum and Bass
Listening to Machine Girl’s music is like being sucked into a tornado carrying the most abrasive elements of various genres, and I do mean ABRASIVE. What a long way Machine Girl has come from spewing out tons of “Electronic” instrumentals on “Bandcamp” to getting even louder and louder with every release while lead member Matthew Stephenson screams his guts out. Following the highly successful The Ugly Art, Machine Girl has returned with his follow-up U-Void Synthesizer, and somehow this album is even noisier than it’s predecessor. Like The Ugly Art, this album incorporates live drums that give this album a fuller sound that evokes the fast-paced and brutal spirit of “Punk,” but just keep in mind, this isn’t “Dead Kennedys.” This is Synth-Punk meets Industrial meets Breakcore meets just about every abrasive genre known to man. It’s uncompromising, it’s discombobulating, but that’s part of this album’s charm. Sure it’s not for everyone, okay, sure it’s not for most people, (anyone who hasn’t acquired this taste will think that all of their electronic household appliances got together to have an orgy) but this is futuristic “Punk,” the result of the massive influence “Death Grips” have had on a younger generation of DIY artists such as “Deli Girls” and “Five Star Hotel.” Machine Girl is undeniably the torch carrier for this generation, and though they can be lyrically absurd with lines like “I don’t want you on my dick so suck my shit,” that absurdity combined with loads of cryptic content is fun to decipher and formulate your own interpretation. U-Void Synthesizer isn’t much of a departure from The ugly Art, but it’s louder and noisier and Machine Girl’s sound hasn’t lost it’s appeal quite yet.
Written By: Steven Sandoval