LINGUA IGNOTA is set to release her new album SINNER GET READY on August 6th via “Sargent House,” and now the album’s second single “PERPETUAL FLAME OF CENTRALIA” has been released. Following the hauntingly beautiful “PENNSYLVANIA FURNACE,” the new single is even more somber in tone, with Hayter describing the track as “the quietest and most desolate, full of dread, full of night, long phrases and few breaths.” Centralia is a ghost town in Pennsylvania where a coal mine fire has been burning underground since 1962. For the music video, Hayter collaborated with fashion designer Ashley Rose Couture to bring concepts of her music to life with her clothing. You can watch the music video for “PERPETUAL FLAME OF CENTRALIA” below:

Lingua Ignota Shares New Single “PENNSYLVANIA FURNACE,” Announces New Album “SINNER GET READY”

Kristin Hayter is one of those rare artists who creates music strictly on their own terms. She uncompromisingly puts her heart and soul into everything she creates under her “Lingua Ignota” project, never wasting a second on insincerity. The way she explores the many facets of the human condition and human mind, the darker and more disturbing parts of humanity make themselves visible naturally, but in a way that feels therapeutic and rewarding as she exorcises her demons, so when she releases a new track, you can bet the song will either be a tearjerker that will render you an emotional mess, or a Hellish and disturbing experience that will scare the living shit out of even the toughest of metalheads. Today she has unveiled the details of her upcoming album SINNER GET READY, which will be released on August 6th via “Sargent House,” and the album’s first single “PENNSYLVANIA FURNACE” is of the tearjerker variety featuring Hayter’s hauntingly beautiful operatic vocals. You can watch the music video for “PENNSYLVANIA FURNACE” below:

Album Review: Katie Gately – Loom


Artist: Katie Gately

Album: Loom

Genre: Electronic/Avant-garde/Experimental

Label: Houndstooth

Rating: 9/10

Brooklyn-born and now Los Angeles-based musician Katie Gately was almost finished recording her follow-up to her debut album Color when her mother was diagnosed with terminal cancer. Returning to her family home in Brooklyn to care for her mother, Gately couldn’t bring herself to finish the album due to the stress and emotional and mental toll this devastating situation was taking on her. After sleepless nights, Gately began work on a brand new album centered around her song “Bracer,” which was her mother’s favorite song of hers. The result is a haunting, incredibly dark, and heartfelt album that finds Gately facing the themes of loss and the realization of mortality. Titled Loom, the album was completed after her mother had passed in 2018, and it’s a vivid, unsettling, and uncompromising glimpse into her headspace at that time. Departing from her previous album’s lighter tone, Loom isn’t without Gately’s talented knack for detailed production consisting of field recordings and effects. This time around the music is darker in tone and features a larger than life and rather cinematic tone that reflects the array of emotions Gately is feeling. A track like “Waltz” takes the usual 3/4 beat of the style and drags it through a haunting reinvention that builds and builds to a satisfying climax. “Bracer” is a 10 minute plus epic that’s vastly unpredictable with new sound effects and vocal refrains added frequently building and building to an eruption of a massive collage of sound consisting mainly of samples that are hard to identify. Gately cleverly utilizes field recordings of an earthquake, shaking pill bottles, screaming peacocks, howling wolves, a closing coffin, and much more throughout the album which showcases her love for samples without sounding gimmicky. Though the “building and building” structure devoid of verse-chorus-verse-chorus can be a bit repetitive, the intensity is undeniably gut-wrenching, eerie, and immensely satisfying if you don’t mind a journey through the dark. Gately is vastly talented at sound design and creating a collage of sound all while evoking various emotions, and her grieving process is full-frontal, leading to an incredible listening experience. This is some of the best music i’ve heard so far this year.

Written By: Steven Sandoval