Following their string-heavy and largely produced album The Soft Parade, “The Doors” got down to brass tacks with their follow-up Morrison Hotel. On this album the band went even further down the drunk and Bluesy road the band had been hinting at on prior releases, leading to a combination of the band’s signature “Psychedelic Rock” and whisky-soaked bar Rock that playfully sounded like the band having a good ol’ drunken time at your local dive bar on a Friday night. Though this album more often than not gets overshadowed by the more superior releases in the band’s catalog, this album spawned some essential tunes like “Roadhouse Blues” and “Waiting for the Sun,” and was a stepping stone toward the ultimate Blues the band had perfected on their following album L.A. Woman. Happy Anniversary.
Artist: El Café Atómico
EP: You Won’t Get Rid of Me That Easy
The name says it all. You won’t get rid of him that easy. You may stumble upon his music and want to shut it off, feeling the discomfort that emerges when hearing his oddball mixture of electronics, twangy guitar, and hard to distinguish vocals. You can choose to not listen anymore, but he had a few minutes of your time. You entered his chaotic world. His music may turn off some people, but for weirdos like me, his music is a fucking playground. Who am I talking about? I’m talking about Victor “Cactus Frank” Fernandez, a self-taught musician from Venezuela whom I know very little about due to his mysterious online presence that reveals very little info on his background, but the mysterious factor works out in his favor, because his music speaks for itself. Under the name “El Café Atómico,” Cactus Frank has gifted us the first installment of his “Rampage Series” titled You Won’t Get Rid of Me That Easy, and it is an interesting listen. It’s futuristic Blues, Industrial-laden Psychedelic Folk, or Rock from the year 3000 as he describes, and in this glimpse of the future we witness a post-apocalyptic world where Cactus Frank is the sole survivor, and only he can create music to bring him solace and to exorcise his solitude. The bass heavy pounding percussion, the deep synths, and the Bluesy guitars are all indicators that Frank isn’t here to make your Dad’s favorite Blues music. He’s imaginative both in his instrumentation and songwriting. The lyrics are poetically cryptic, ranging from songs named after Japanese celebrity Takeshi Kitano to vivid pictures of children playing football with a head they’ve found. Very much open for interpretation. Though the vocal mixing could be a little better, and though this sounds like only the beginning of what has the potential to be a fruitful career, this E.P. is immensely ambitious. What does the “Rampage Series” have in store? I have no idea, but I’m ready.
Written By: Steven Sandoval
That’s right, they’re back. “The Black Keys” returned today with their first new music since their 2014 album Turn Blue. “Lo/Hi” feels like a return to form for the band, with raw “Blues Rock” that can win your Dad over. No word on whether or not this will appear on a new album. You can listen to the track below: