U.S. Girls Share New Music Video for “And Yet It Moves / Y Se Mueve”

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Today “U.S. Girls” have shared a new music video for their track “And Yet It Moves / Y Se Mueve,” which is one of the most undeniably infectious tracks off their new album Heavy Light. The video is packed with trippy animated visuals, flashing lights, and optical illusions, and it was created by Evan Gordon. You can watch the music video for “And Yet It Moves / Y Se Mueve” below:

U.S. Girls Share New Music Video for “IOU”

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U.S. Girls most definitely released one of the year’s best albums back in March, which feels like ages ago considering all that has happened following the release of Heavy Light. Like so many others, the band were set to embark on a lengthy tour but were forced to cancel due to our current pandemic, but at least we have their incredible music to listen to during these moments of isolation. I know i’ve listened to Heavy Light countless times while being locked in my home. Today the band have shared a new music video for one of the album’s standout tracks titled “IOU,” and it is sure to put a smile on your face as you watch numerous clips of the band in the studio. You can watch the music video for “IOU” below:

Album Review: U.S. Girls – Heavy Light

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Artist: U.S. Girls

Album: Heavy Light

Genre: Experimental Pop/Indie Pop/Gospel/Soul

Label: 4AD

Rating: 9/10

U.S. Girls’ Meg Remy at this point has solidified herself as one of Rock and Pop’s most intriguing and innovative artists. Following her breakthrough album In A Poem Unlimited, I didn’t expect her to release a follow-up so soon, let alone depart from the album’s sound almost entirely. On her new album Heavy Light, Remy goes in a bolder direction which might turn those who enjoyed the infectious fusion of Psychedelic Pop, Disco, and Art Pop of her last album off, but if you know Remy’s catalog you know that she is always reinventing her sound. Just compare her debut album Introducing to an album like In A Poem Unlimited and you will not believe both albums are from the same person. Much of the instrumentation on Heavy Light is stripped back with more focus on a beautifully crafted array of backing vocals evoking a Gospel feel, a subtle but detailed combination of various percussion, and a dominance of piano balladry. Though her sound has shifted, Remy sticks to her guns of topical storytelling told from the perspective of various characters touching on topical subject matter. The sardonic take-down of the U.S. economy on the Funk-driven track “4 American Dollars,” the Spanish spoken message of prospering with a positive movement on the track “And Yet It Moves / Y Se Mueve,” and the realization that humanity isn’t as significant as we think in the grander scheme of the planet on the track “The Quiver to the Bomb” are all topics Remy and her collaborators paint vividly with a tone that is hopeful despite the grim nature some of the subject matter suggests, and as much as Remy is looking to the future of her sound, this album isn’t without an acknowledgement of her past. There are three older U.S. Girls songs that get reworked. “Overtime,” State House ( It’s a Man’s World,)” and “Red Ford Radio” all sound better than ever polishing the lo-fi bedroom-recorded sound of the older versions. Though In A Poem Unlimited was the most collaborative U.S. Girls have sounded at the time of it’s release thanks to the contributions of the band “The Cosmic Range,” Heavy Light feels even more like an ensemble effort with various voices heard, and this is a perfect progression for Meg Remy, someone who understands the beauty of collaboration. I’m already looking forward to seeing what Meg Remy does next.

Written By: Steven Sandoval

 

 

U.S. Girls Announce New Album “Heavy Light,” Share New Single “Overtime”

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U.S. Girls garnered much acclaim with their last album In a Poem Unlimited, an album that has arguably been considered the band’s best work yet, and it’s easy to see why. Incorporating a live band under the name “The Cosmic Range,” lead singer and songwriter Meg Remy’s “U.S. Girls” project had a full sound of jammin’ Rock instrumentation that also explored Jazz and Psychedelic territory while carrying a consistent tone of Pop, and this all complimented Remy’s infectious vocals and topical lyrics perfectly. Today it has been announced that the band will release their follow-up Heavy Light on March 6th via “4AD.” The band have also shared the album’s first single “Overtime.” You can watch the music video below:

 

U.S. Girls Share New Music Video for “Time”

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U.S. Girls released an incredible album last year titled In A Poem Unlimited, and those who have been lucky enough to see the band perform live know that seeing them perform is a beautiful experience. You can get a glimpse of what it’s like to feel the band’s live energy with their new music video for their track “Time,” which was shot by Alex Kingsmill during their set at “SappyFest” in Canada. The band have also shared a string of upcoming North American tour dates. You can get all the info, as well as watch the video for “Time” below:

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“Time” Music Video:

 

 

E.P. Review: Charlotte Adigéry – Zandoli

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Artist: Charlotte Adigéry 

EP: Zandoli 

Genre: Electronic/Experimental Pop/Synth-Pop

Rating: 9/10

 Zandoli, the new E.P. from Belgian-Caribbean artist Charlotte Adigéry is utterly unique “Electronic” infused “Pop” that is immensely refreshing. This is her second E.P. following her 2017 self-titled EP, and her work with frequent collaborator Bolis Pupul has reached new heights. The two work together perfectly. Adigéry flourishes on each versatile track with sensual swagger with vocal and lyrical content that can be just as playful as it is imaginative, and I really do mean the production is versatile, because these are shapeshifting multifaceted tracks that can be tribal influenced like the all French sung opening track “Paténipat,” and then they can be rich in danceable wonkiness like the track “High Lights,” which has an unorthodox approach to “Pop” with it’s skittering synths. “I know I shouldn’t do it, but I like synthetic wigs a lot,” sings Adigéry, paying homage to the empowerment of wigs and hair extensions, and though this may sound surface level, the way she delivers this theme is completely liberating. Adigéry is an impressive and thoughtful poet as well, metaphorically speaking on sex and seduction on the track “B B C,” and considering how seamlessly she transitions from this track into the conceptual closing track “Okashi,” it’s evident that Adigéry is far from one-dimensional. Unfortunately this E.P. flies by with each listen, because it’s only 5 tracks in length, but every second of these tracks are vastly promising, and they leave me begging for a full-length album this year.

Written By: Steven Sandoval

Date: 02/09/19

E.P. Review: HMLTD – Hate Music Last Time Delete

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Artist: HMLTD 

EP: Hate Music Last Time Delete 

Genre: Synth-Pop/Art Rock/Post-Punk/Glam Rock

 Music fans have unfortunately been subjected to this ridiculous idea that “Rock is dead” from many music publications. Of course, that is completely absurd. The countless “Indie Rock” bands, “Post-Punk” bands, “Metal” bands, and “Garage Rock” bands all continue to breathe life into a vague term like “Rock.” An emerging scene that is completely enthralling and continues to disprove “Rock” naysayers is the South London scene. A scene that consists of up and coming bands such as “Goat Girl,” “Sorry,” “Hotel Lux,” the already revered “Shame,” and a unique as Hell band that goes by the name of “HMLTD.” What separates this band from their contemporaries is their huge ambition to incorporate elements of just about any damn genre that resonates with them, and like many of the greats, this leads to the band being impossible to categorize. This 6 piece band have been at it for a few years now, releasing ambitious single after ambitious single. The band have garnered a huge following of music fans who yearn to hear something new and innovative, but one question remains, and that question is “When the Hell are they going to release a full-length album?!” Well, we still don’t have a full-length, but we have been gifted a new E.P. by the band titled Hate Music Last Time Delete to satisfy our hunger. This E.P. opens with without a doubt the band’s most accessible song yet. Incorporating modern production that leans toward a “Trap” flavor, “Pictures Of You” might sound trendy on the surface with it’s catchiness and dramatic building up of the chorus, but the subject matter is far from friendly. It’s dark, but it is completely relatable in this Internet age we live in that is driven by social media. Lead singer Henry Spychalski sings from the point of view of someone addicted to pleasuring himself to photos of others on social media, and as much as this is a detailing of one’s shameful addiction, it’s also an important commentary on the loss of privacy thanks to everyone’s willingness to post photos of themselves online. Oh yeah, and if this isn’t dark enough for you, there’s also an even more disturbing music video to reflect this dark reality. The following track “Proxy Love” finds the band getting weirder but their attention to “Pop” structure keeps the band from going off into the deep end. This track is zany, it’s odd, it’s glamorous, and it features everything we’ve grown to love about the band from their previous singles. As bizarre as this track is, the “Synth-Pop” dominance and catchy vocal structures present to us how “Pop” music can have substance, and that’s one of the many reasons why this band is brilliant, their attention to catchiness. Their fearlessness to create a catchy chorus even after their descent into musical madness is immensely impressive. The following tracks “Mannequin” and “Apple of My Eye” carry a similar vibe, but this four track E.P. is far from being one-dimensional. The guitar riffs are very reflective of “Post-Punk.” The synth lines are laden with 80’s Glam, and the vocals heavily reflect “Goth” acts such as “Christian Death” or “Virgin Prunes.” The lyrical content doesn’t bombard the listener with hard to decipher metaphors, instead it’s blatantly obvious that these songs deal with self-love, addiction, and even the feeling of being in love with a mannequin and wishing it could do the things a living being can do (I hope Frank Zito was an inspiration.) Just four tracks in length, this E.P. proves that “HMLTD” are without a doubt the most intriguing band at the moment, and this is only the beginning of what may be a fruitful legacy.

Written By: Steven Sandoval 

Date: 07/07/18

 

HMLTD Release New Song “Proxy Love”

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UK band “HMLTD” will release their debut E.P. Hate Music Last Time Delete on July 6th, and following their stunning lead single “Pictures of You,” the band have released another track off the E.P. titled “Proxy Love.” The dance ready “Synth-Pop” heavy track is an infectious anthem about loving yourself, and it is addictive. There is also a fantastic music video to accompany it. You can watch the video below:

Gorillaz Release New Track “Sorcererz”

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It was announced last week that Gorillaz will release a new album titled The Now Now on June 29th. Following their previously released tracks “Humility” and “Lake Zurich,” the band have released another new track off the album titled “Sorcererz.” You can listen to the track below:

serpentwithfeet Releases New Track “seedless”

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Baltimore’s own serpentwithfeet will release his debut album soil this week, and it’s looking like this album may be the most innovative “R&B” album in years. Following the hauntingly beautiful single “cherubim,” serpentwithfeet has released another new track off the album titled “seedless.” You can listen to it below: