The wait will end next Spring. In Spring 2020 we’ll finally get a full-length album from U.K. band “Sorry,” a band that have been making waves in the music world for the past few years with their sharp Rock? Pop? Post-Punk? Honestly they’re their own genre, and many have been itching for a full-length album, well… today we’ve been blessed with great news. The band will release their debut album 925 in Spring 2020. Today the band released the album’s lead single “Right Round the Clock,” and it’s a fun track with an interpolation of a song that will be recognizable for “Tears for Fears” fans. You can watch the video for “Right Round the Clock” below:
Artist: Socks and Ballerinas
Genre: Math Rock/Instrumental/Progressive Rock
In a music world where artists emphasize sentiment and critics praise only those who strive to innovate, people have forgotten how to have fun once in awhile, but Helsinki, Finland based band “Socks and Ballerinas” haven’t forgotten what it means to make fun music to dance to. However, dancing to their music can be a difficult task, because their knack for creating odd “Math Rock” inspired instrumentation is far from the norm. Not much is known about the band. Their “Bandcamp” and social media profiles feature brief descriptions and very little background, which is odd because their music is technically skilled and quite impressive. What we do have is their new album Soap! The music definitely reflects the absurd nature of their name with wacky and zany melodies and irregular time signatures that can be frustrating for those who want consistent rhythmic structure. The drums are sharp and fast-paced, and the constant use of loop pedals gives the illusion that you’re hearing a five-member band, and there’s only two members! Soap! is an album that gives you a live experience without having to leave your house. It’s fun instrumental music that is as complex as it is accessibly catchy.
Written By: Steven Sandoval
Post-Punk band “Ganser” will release a new E.P. titled You Must Be New Here on November 8th. This will follow their stellar debut album Odd Talk which was released last year. The band previously released a single titled “Bad Form,” and they recently appeared at “Riot Fest” in Chicago, and now it’s looking like the band won’t be slowing down anytime soon. Today the band have shared a new song off the upcoming E.P. titled “Buio” which is accompanied by a music video featuring actress Caitlin Ewald. In the video Ewald sits at a dinner table with cake and wine. She proceeds to mash her fingers in the cake while the others at the table seem to be ignoring her. This could represent the idea of an outsider being overwhelmed having to endure fast-paced social interaction, but Ewald lets her self go by not repressing her impulse to…. well, mash her fingers in cake and chug wine, and she does it without a care in the world. About the song, the band describe it as an “intuitive song about the relationship between author and audience.” You can always rely on “Ganser” to provoke thought with intelligent and introspective content. You can watch the music video for “Buio” below:
Following her angelic single “All Mirrors,” Angel Olsen has shared another new track off her upcoming album titled “Lark,” and much like “All Mirrors” this song is a tearjerker with a gorgeous ethereal buildup and cinematic string arrangements. About the song Olsen says “Lark” is a song that took many years to finish. The disjointed feelings and verses of this song began to make sense as a way for me to exercise a kind of journey through grieving, a kind of personal struggle. The message of the song developed at first from an argument I once had with someone about trust and support. Later, I pulled from recurring themes in my life as a musician and as a human that dreams for a living. It’s easy to promise the world to those we love, but what about when our dreams change and values split? Olsen’s new album All Mirrors will be released on October 4th. You can watch the music video for “Lark” below:
It’s been a rough year for Sleater-Kinney and their fans following the departure of drummer Janet Weiss, but Carrie Brownstein and Corin Tucker are without a doubt moving on and will continue to tour and release their new album The Center Won’t Hold despite this setback. We all know the band will persevere, but it’s still heartbreaking to see Janet Weiss go. Good news is we’ll be able to hear Janet Weiss on one more Sleater-Kinney album. The Center Won’t Hold produced by St. Vincent is set to be released on August 16th, and with what we’ve heard so far, it’s clear that the band have gone in a completely different direction on this new album, parting ways with the raucous raw energy of their early work, the Rock & Roll-tinged style of their later work, and the danceable grooves of their previous album No Cities To Love in favor of Art Rock balladry that sees Carrie Brownstein take up the majority of lead vocals. Their new track “Can I Go On” is quite possibly their most poppy sounding track by far, but the lyrical content deals with existentialism and depression which can truly resonate with someone who’s going through it. You can listen to the track below:
Angel Olsen is set to release her upcoming fourth album All Mirrors on October 4th on “Jagjaguwar” records. Today she released the album’s title track as well as a Gothic-styled music video. “All Mirrors” is a hauntingly gorgeous synth-driven track with beautiful string arrangements that convey a dramatically cinematic tone, which is a noticeable departure from her previous album My Woman. You can watch the music video below:
“When you’re in the middle of writing and recording, it’s very easy to fall into extreme feelings of guilt over procrastination, when you’re already stretched thin,” says Alicia Gaines, bassist and vocalist of Chicago “Post-Punk” band “Ganser,” and that feeling is immensely conveyed on their new single “Bad Form.” It’s a sentiment we can all relate to. The feeling that we’re just going through the motions, the feeling that we should be doing more, the feeling that nothing we do is ever enough, it’s an unfair pressure we put on ourselves, and that can lead to unbearable anxiety. “Ganser” are no strangers to the evocation of anxiety. The band have been creating noisey “Post-Punk” with a sprinkle of “Goth” for awhile now, and following last year’s debut album Odd Talk, it was clear that the band are without a doubt one of the most ambitious bands in Rock right now. Much of their music is loud, anxiety-inducing but not too abrasive to the point of being unlistenable, and their attention to crafting chaotic and unconventional instrumentation topped with poetic lyrical content that looks both outward and inward is vastly enthralling. Each member is pivotal to the band’s sound, they’re all pieces to a puzzle that just wouldn’t be complete if a member were absent. It’s easy to list what genres the band might draw influence from, but categorizing them wouldn’t suffice when describing the myriad of emotions and styles in their music.
So what does their new single “Bad Form” sound like? Well, it sounds like a “Ganser” song, but it’s most definitely next level and completely stands on it’s own. Charlie Landsman’s guitar evokes a frantic feeling that ear-splittingly gives you a sense of urgency, Alicia Gaines’ pummeling bass hits you with a sinister groove, Brian Cundiff’s drums are sharp and piercing, and Nadia Garofalo’s vocals passionately echo the nervous nature of the instrumentation with a sense of catharsis that beautifully expresses the importance of self-therapy when confronting inner demons. “Too many people want too much attention,” sings Garofalo, as if she’s realizing the feeling of getting lost in other people’s needs or trying to balance friendships and relationships with work is taking it’s toll, and the refrain of “I know how it works” can be interpreted as the feeling of unsatisfying repetition or predictability. Sure this song deals with the darker side of the human psyche, but it features positive undertones as the band exorcises their demons together.
“Bad Form” also has a beautifully shot music video directed by Kirsten Miccoli to accompany it. It stars Ganser, Monica Bahr, Liz Harvey, and Benji Morino, and it’s visually stunning with a dark nature that perfectly reflects the track’s sense of agitation and anxiety. The band make it known that visual art is just as important to them as music. Just look at how mindfully crafted their past music videos are with much attention to artistry and cinematography as opposed to just making a video of the band playing their instruments in an empty warehouse (we saw plenty of those videos in the 90’s.) The band want to utilize different aspects of art to express themselves, and that ambition is inspiring. It’s exciting to see where they’ll go next.
Written By: Steven Sandoval