Mitski won’t drop her new album Be The Cowboy until August 17th, but she has shared another new track off the album titled “Nobody,” and it’s a moody track that speaks on loneliness and solitude, but at the same time it’s an encouragement to dance your loneliness away. You can listen to the track as well as watch the music video below:
Father John Misty released his fantastic new album God’s Favorite Customer earlier this month, and one of the standout tracks off the album is without a doubt the beautiful title track featuring Weyes Blood. Now there is a music video to accompany the track, and it is directed by Tillman’s wife Emma Tillman. You can watch the video below:
Genre: Post-Punk/Indie Rock/Gothic Rock
On the heels of their brilliant album Relatives In Descent, Detroit Post-Punk band Protomartyr’s new E.P. Consolation solidifies their leading status in the Post-Punk world. This four track E.P. is just a little over 14 minutes in length, but the band astonishingly displays their growth in that short amount of time. Releasing an E.P. less than a year after a well received full-length album is a daring move considering that these tracks could have sounded like leftovers or a rushed attempt to remain in music nerd conversation, but that’s never been Protomartyr’s bag. In fact, this E.P. takes on a life of it’s own. Though the band is experimenting within the realm of the “Protomartyr” sound, the band still continues to add new life and innovation to their music. The most prominent display of this is on the final two tracks “Wheel of Fortune” and “You Always Win.” The first two tracks “Wait” and “Same Face In A Different Mirror” have all the signature qualities we love about the band. The mesmerizing guitars, the infectious bass grooves that draw from the best elements of Post-Punk or Gothic Rock, the percussion that goes in it’s own direction but somehow fits perfectly with what the rest of the band is doing, and the lyricism that is descriptive but very open for interpretation, it’s all there, but the final tracks offer what might be a glimpse of Protomartyr’s future sound. Kelley Deal of “The Breeders” contributes backing vocals that perfectly set a somber mood, and the incorporation of viola, cello, and bass clarinet add melodic beauty to the beautifully raw instrumentation. Though grandiose in presentation, a track like “Wheel of Fortune” finds the band remaining humble but at the same time putting importance on the lyrical content and vocal delivery. The gruff vocal style of lead singer Joe Casey forces you to pay close attention to the lyrics as he rants and rambles intelligently like a well-read drunk on a bar stool. It’s quite impressive that an E.P. just 14 minutes in length has so much to unpack, and if the band continues to work with other musicians then we’re in for some forward thinking music that can transcend genre trappings.
Written By: Steven Sandoval
Post-Punk band “Protomartyr” will release their new E.P. Consolation tomorrow, and the band have shared the closing track off the E.P. titled “You Always Win.” Like their previous single “Wheel of Fortune,” this track features Kelley Deal of “The Breeders.” You can listen to the track below:
Everyone’s favorite Post-Punk revivalists “Interpol” will release a new album titled Marauder on August 24th. This is the band’s first release since their 2014 album El Pintor. The band have also released a new track off the album titled “The Rover.” In a recent press conference held in Mexico City, frontman Paul Banks described that the album is “A facet of myself. That’s the guy that fucks up friendships and does crazy shit. He taught me a lot, but it’s representative of a persona that’s best left in song. In a way, this album is like giving him a name and putting him to bed.” You can listen to “The Rover” and watch the press conference below:
Artist: Father John Misty
Album: God’s Favorite Customer
Genre: Indie Folk/Indie Rock
Those who find Joshua Tillman AKA Father John Misty pretentious definitely won’t be won over by his new album’s cover art or album title, and even the fact that there’s a track on this album titled “Mr. Tillman,” but those who admire his sharp lyrical content, passionate vocals, and attention to the importance of subtlety in music will swoon when hearing his new album. God’s Favorite Customer is the title, and unlike his masterpiece Pure Comedy, the majority of these songs find Tillman looking inward. Tillman revealed that this album was inspired by an event in which his life “blew up.” He will not elaborate on what that event entailed, but it’s clear that this was a time where he truly had to fight his personal demons. This isn’t a concept album, but there are recurring themes all throughout. Themes of depression, self-awareness, and the impact the aforementioned subjects have on his marriage. Like a true Jack Torrance, his madness was the result of his living in a hotel for a long period of time, but instead of developing homicidal tendencies, Tillman’s depression was enhanced. This is without a doubt his most personal work, with his relationship with his wife tying the album together. In a way, these are realistic love songs, songs that display the unsureness and dependency of being in a relationship or marriage. Tillman paints the realities of being in love, both light and dark. From the separation anxiety on the track “Please Don’t Die,” which features a gut-wrenching chorus sung from the perspective of his wife pleading him not to take his own life, to the encouragement to accept the fact that no relationship is as perfect as the ones you see in the movies on the track “Disappointing Diamonds Are the Rarest of Them All,” this is an unsparing album that lays it all out on the table, and it’s perfectly crafted with detailed but also subtle instrumentation. Tillman has the incredible talent to put us in the headspace he was in whilst staying at that hotel, and he even pokes fun at the situation on the track “Mr. Tillman” where he sings from the perspective of a hotel concierge trying to professionally explain his frustration with Tillman’s behavior. It’s truly incredible how Tillman can walk us through such dark subject matter while having us maintain our comfort. You might even laugh at some of the album’s wit. Tillman is aware of his music’s self-indulgence, but instead of parading it around with a “look at me i’m a genius” attitude *cough* Kanye *cough* he uses it to therapize himself, and the result is some of the best songwriting in music today.
Written By: Steven Sandoval
Father John Misty will release his new album God’s Favorite Customer tonight, and while we wait, we can enjoy another new track from the upcoming album titled “Please Don’t Die,” as well as an awesome stop motion animated music video to accompany it. You can watch the music video below:
Artist: Parquet Courts
Album: Wide Awake!
Genre: Indie Rock/Post-Punk/Art Rock/Dub
Finding a catharsis is a common goal with musicians. While many pander to the lowest common denominator of public musical taste to make a quick buck, there are countless artists using music to unpack and express any repressed emotions or overwhelming ideologies they deem important for the listener’s ear. New York based band “Parquet Courts” definitely had a lot to unpack and express on their new album Wide Awake! Following their incredible 2016 album Human Performance, an album that was melody driven and featured a diverse collection of the most impactful styles of “Rock” music, the band incorporates new styles from territories the band have not explored before on this stellar follow-up, and there’s a reason why this album is titled Wide Awake! Lyrically this features relevant topics. Topics like normalization and the desensitization of this country when reacting to the tragic and violent events that have become commonplace, but instead of diving into nihilism like most of their contemporaries are doing, the band offers a refreshing optimistic outlook. The album opens with the track “Total Football,” which may sound like an odd song title considering that the band isn’t exactly known for making songs that can get you amped at a sporting event, but the term actually comes from a tactical theory in soccer in which all players on a team can rotate positions, which can be the most successful display of collectivity if done right. The raucous delivery from the band on this track offers an upbeat and uproarious opening to the band’s most interesting album to date, and lead singer Andrew Savage tops this all off with the idea that collectivity is more effective than individualism, even though many of our infatuations lean towards the lone wolf aspect. More often than not in sports or really any form of entertainment individualistic qualities are coveted, that’s why many of us idolize celebrities, but things can be changed for the greater good if we unify and rid of selfishness. A. Savage realizes this, and he even shouts a big “Fuck you!” to Tom Brady. Musically the band continues to explore different territories throughout the album, but they never abandon what makes them “Parquet Courts.” The band flirts with various “Dub” aspects like on the tracks “Before the Water Gets Too High,” and “Back to Earth,” which feature infectious bass grooves and even some melodica. “Afrobeat,” “Funk” and “Disco” are cleverly combined on the album’s title track, and “Violence” even features some “G-Funk” synth lines, and what would a “Parquet Courts” album be without their signature explorations in “Post-Punk?” Oh yeah there’s plenty of that on tracks like “Almost Had to Start a Fight / In and Out of Patience,” and “Normalization,” and the fact that the highly regarded Danger Mouse produced this album is often forgotten while he allows the band to do their thing. The eclecticism of this album is often delivered in an upbeat manner, which makes it easy to move and dance to, but the lyrical content is a lot more serious in tone. It deals with the unfortunate reality that things like mass shootings and violence have become commonplace, and that at this point it’s difficult to know how to react to these situations since we’ve become numb to them. Instead of having a defeatist attitude, Savage’s vocal delivery and lyrics offer an optimistic attitude. “Well I can’t count how many times I’ve been outdone by nihilism,” Savage sings on the closing track “Tenderness,” and after the roller coaster ride of emotions and styles that take place on this record, including a touching expression of member Austin Brown’s view on death and how the passing of a close family member at a very young age changed his view on life forever on the track “Death Will Bring Change,” It’s nice to hear the band close on an upbeat and positive note. This is without a doubt the most insightful album “Parquet Courts” have released, and in these dire times we’re facing in this country, it’s nice to hear music of encouragement.
Written By: Steven Sandoval
Album: Odd Talk
Genre: Post-Punk/Noise Rock/Indie Rock
Chicago’s own four-piece Post-Punk/Noise Rock band “Ganser” have been making music as far back as 2015, releasing a myriad of singles and one stellar EP. Now with the aid of indie label “No Trend Records” the band have finally released their debut album Odd Talk. “No Trend Records” is fitting considering that the band doesn’t exactly make the kind of music that’s hip with most millennials, (you’re not going to hear any Trap hi-hats on this thing) but the band creates bone-crushing “Indie Rock” that will definitely resonate with those who still enjoy cutting edge Rock music, dismissing the ridiculous claim that “rock is dead.” Odd Talk is a short but hard-hitting crash course in the endless possibilities of Rock music. The band incorporates elements of “Post-Punk,” “Grunge,” and “Noise” and they do this while sounding accessible enough to keep casual music listeners from straying away. The vocals provided by both members Nadia Garofalo and Alicia Gaines ground the otherworldly wall of noise the instrumentation contains, and instead of burying the vocals into the mix like most artists in the realm of “Noise Rock” tend to do, the vocals are very noticeable and quite polished, and at the same time they are humble, not putting more importance on the vocals, which shows the listener that everyone in the band is equal. There is no star member, and they all work together as a unit. This is a pretty solid release, however the fact that this is the band’s debut is noticeable. Some tracks are a little rocky here and there and there’s much room for improvement, but I think the band have the chops to truly utilize their talent as a whole to perfect their songwriting abilities.
Written By: Steven Sandoval