Genre: Hip Hop/Alternative Hip Hop

Rating: 8/10

 Considering the fact that both Kanye West and Kid Cudi changed the landscape of Hip Hop and set the foundation for Hip Hop in the 2010’s together, it’s surprising that the two are barely teaming up for a collab album now, but in a way, no other time seems more perfect for this to happen than right now. We’re near the end of this decade, and under the name “KIDS SEE GHOSTS” Kanye and Cudi have released an album that solidifies the impact the two have had in the music world. This is album number three in this recent string of Kanye produced albums, and following the mediocre disappointment that was Ye, this album puts Kanye right back on the cutting edge, and it sure is nice to hear Cudi’s return. With well crafted and imaginative production, the two sound more rejuvenated than ever. The beats are what Kanye strived to do on The Life of Pablo, but this time around they’re more unique and… you know…. finished, and with lyrical themes involving self-acceptance, self doubt, and overcoming mental illness, this album is the inspirational impact Ye should have been. I’m sure the two had their beloved fans in mind when creating this album, but it’s evident that the two absolutely had to make this album to exorcise their demons. Everything from the explosive Pusha-T featuring opener “Feel The Love” that erupts with Man’s Not Hot-esque “brrrraaa ka ka kas” to the emotional Kurt Cobain sampling closer “Cudi Montage,” this is a forward thinking album that incorporates new musical elements, but also features everything we love about Kanye and Cudi. One can only hope that the two continue to make incredible music like this under the “KIDS SEE GHOSTS” name.

Written By: Steven Sandoval 

Date: 06/10/18

Album Review: Kanye West – Ye


Artist: Kanye West

Album: Ye

Genre: Hip Hop

Rating: 4/10

 After Kanye’s ugly album rollout which took Kanye’s signature batshit behavior to another level, a level with downright offensive and irrational outbursts, it’s clear that Kanye is trying to compensate for his erratic behavior by claiming to be immensely bipolar on his new album Ye. The album cover even features a text that reads “I hate being bi-polar it’s awesome.” I guess Kanye is selling bumper stickers now. Anyway, this does not excuse the fact that he claimed “slavery was a choice,” and that he will not give any reasonable explanation as to why he supports Trump other than the simple fact that he’s just another outspoken rich celebrity he identifies with, but hey, I can separate the art from the artist, but Kanye’s erratic behavior floods this new album. Even in it’s short length of 24 minutes, this album is insufferable. Sure it’s not as scatterbrained or incohesive as his previous album The Life Of Pablo, but this album is without a doubt his most cringeworthy work. It’s littered with lyrical contradictions and Kanye even has the nerve to wear mental illness as a fashion statement. Yes it is a good message that we shouldn’t judge or shun anyone who who has a mental illness and that it shouldn’t come with such a stigma, but Kanye doesn’t care about your illness, he cares about his illness. He flaunts it in front of us and he truly believes that it’s just another attribute of his genius, genius he no longer has. He claims his bipolar disorder is his superpower on the track “Yikes,” but he’s doing absolutely nothing to help the cause, it’s just more egocentric self worship. The supposed “emotional centerpiece” “Wouldn’t Leave” is a song about his wife and her loyalty to him even after his public meltdowns. He even dedicates the song to all the women who have stuck with their men, but this is really a one-sided delivery that comes from the “boys will be boys” mindset, as if it’s a woman’s role to be dependent on and loyal to a man. Lyrically this album is atrocious, but what about the instrumentation? Well, to put it in the simplest terms, it’s nothing special. Kanye proved he is still a great producer on Pusha-T’s new album DAYTONA, but the production on Ye is quite forgettable, it’s not as ahead of the curve as his older material was. There’s really nothing else to say about this album. Should I mention the unnecessary features? The god awful Kid Cudi vocals on “Ghost Town?” None of that is worth noting. This is just a 7 track stench of narcissism from a artist who once was a talented visionary.

Written By: Steven Sandoval 

Date: 06/02/18