Street Sects Release Music Video for New Single “If Life is a Gift, It’s in Very Poor Taste”

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And the award for song title of the year goes to….. Seriously, there’s nothing like listening to Street Sects’ music and brutally screaming out your existential pain. They’re truly a genuine band who pour everything they have onto their music, and it’s captivating. The band will release their new E.P. Gentrification IV: Suspended from Gallery Rails this Friday via “The Flenser,” and today they have shared a music video for the opening track “If Life is a Gift, It’s in Very Poor Taste.” You can watch the music video below:

Street Sects Announce Next Installment of “Gentrification: A Serial Album”

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Noise/Industrial duo “Street Sects” have undoubtedly been on a roll since the release of their “Gentrification” EP’s back in 2014. Following  the success of their string of singles, an E.P. and two full-length albums, the idea of the band continuing their harsh and abrasive “Gentrification” series seemed unlikely, but earlier this year we were treated to a third installment titled Gentrification III: Death and Displacement, and it was as Hellish as one would expect. Now, a month later, the band have announced that they will release the fourth installment of this series on November 22nd via “The Flenser.” It will be titled Gentrification IV: Suspended from Gallery Rails. Today the band shared one out of the two tracks titled “Tomorrow is a Trap,” and it’s back to business as usual, which makes the band so damn enticing. You can listen to “Tomorrow is a Trap” below:

 

 

Ganser Announce New E.P. “You Must Be New Here,” Share New Song “Buio”

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Post-Punk band “Ganser” will release a new E.P. titled You Must Be New Here on November 8th. This will follow their stellar debut album Odd Talk which was released last year. The band previously released a single titled “Bad Form,” and they recently appeared at “Riot Fest” in Chicago, and now it’s looking like the band won’t be slowing down anytime soon. Today the band have shared a new song off the upcoming E.P. titled “Buio” which is accompanied by a music video featuring actress Caitlin Ewald. In the video Ewald sits at a dinner table with cake and wine. She proceeds to mash her fingers in the cake while the others at the table seem to be ignoring her. This could represent the idea of an outsider being overwhelmed having to endure fast-paced social interaction, but Ewald lets her self go by not repressing her impulse to…. well, mash her fingers in cake and chug wine, and she does it without a care in the world. About the song, the band describe it as an “intuitive song about the relationship between author and audience.” You can always rely on “Ganser” to provoke thought with intelligent and introspective content. You can watch the music video for “Buio” below:

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Girl Band Share New Song “Going Norway”

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It’s an exciting time for “Girl Band” fans. The Noise Rock band have returned after four years with new music that’s scheduled to be released on September 27th. Following their previously released lead single “Shoulderblades,” the band have released a new track titled “Going Norway,” and with a new sense of rejuvenation, they’re pushing their usual anxiety-inducing, abrasive, and scuzzy style to the next level. Their new album The Talkies will be released on September 27th. You can watch the music video for “Going Norway” below:

 

Track Review: Ganser Premiere New Single “Bad Form”

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“When you’re in the middle of writing and recording, it’s very easy to fall into extreme feelings of guilt over procrastination, when you’re already stretched thin,” says Alicia Gaines, bassist and vocalist of Chicago “Post-Punk” band “Ganser,” and that feeling is immensely conveyed on their new single “Bad Form.” It’s a sentiment we can all relate to. The feeling that we’re just going through the motions, the feeling that we should be doing more, the feeling that nothing we do is ever enough, it’s an unfair pressure we put on ourselves, and that can lead to unbearable anxiety. “Ganser” are no strangers to the evocation of anxiety. The band have been creating noisey “Post-Punk” with a sprinkle of “Goth” for awhile now, and following last year’s debut album Odd Talk, it was clear that the band are without a doubt one of the most ambitious bands in Rock right now. Much of their music is loud, anxiety-inducing but not too abrasive to the point of being unlistenable, and their attention to crafting chaotic and unconventional instrumentation topped with poetic lyrical content that looks both outward and inward is vastly enthralling. Each member is pivotal to the band’s sound, they’re all pieces to a puzzle that just wouldn’t be complete if a member were absent. It’s easy to list what genres the band might draw influence from, but categorizing them wouldn’t suffice when describing the myriad of emotions and styles in their music.

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So what does their new single “Bad Form” sound like? Well, it sounds like a “Ganser” song, but it’s most definitely next level and completely stands on it’s own. Charlie Landsman’s guitar evokes a frantic feeling that ear-splittingly gives you a sense of urgency, Alicia Gaines’ pummeling bass hits you with a sinister groove, Brian Cundiff’s drums are sharp and piercing, and Nadia Garofalo’s vocals passionately echo the nervous nature of the instrumentation with a sense of catharsis that beautifully expresses the importance of self-therapy when confronting inner demons. “Too many people want too much attention,” sings Garofalo, as if she’s realizing the feeling of getting lost in other people’s needs or trying to balance friendships and relationships with work is taking it’s toll, and the refrain of “I know how it works” can be interpreted as the feeling of unsatisfying repetition or predictability. Sure this song deals with the darker side of the human psyche, but it features positive undertones as the band exorcises their demons together.

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“Bad Form” also has a beautifully shot music video directed by Kirsten Miccoli to accompany it. It stars Ganser, Monica Bahr, Liz Harvey, and Benji Morino, and it’s visually stunning with a dark nature that perfectly reflects the track’s sense of agitation and anxiety. The band make it known that visual art is just as important to them as music. Just look at how mindfully crafted their past music videos are with much attention to artistry and cinematography as opposed to just making a video of the band playing their instruments in an empty warehouse (we saw plenty of those videos in the 90’s.) The band want to utilize different aspects of art to express themselves, and that ambition is inspiring. It’s exciting to see where they’ll go next.

Written By: Steven Sandoval 

 

 

 

 

 

 

Album Review: Xiu Xiu – Girl with Basket of Fruit

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Artist: Xiu Xiu

Album: Girl with Basket of Fruit

Genre: Experimental/Art Rock/Noise

Rating: 8/10

“Xiu Xiu” are an interesting band to say the least. Lead by sole member Jamie Stewart, this vastly eccentric band have been making music since the early 2000’s. Music that has gained admirers for their brash experimentation soaked in tumult, and also music that has gained detractors who find the band incredibly grating. I understand both parties to be honest, because whether the band are creating disturbing songs about double penetration, or reimagining the soundtrack to David Lynch’s “Twin Peaks,” one thing is certain, their music is not easy to listen to. On one hand I’ll admire the band’s uncompromising style, and on the other I can find them immensely self-indulgent and utterly repulsive, but that’s why I find the band so damn intriguing. By now, going into a “Xiu Xiu” album, I expect to hear some bizarre shit, but somehow the band managed to achieve what I thought was impossible after so many years, the band managed to make their most uncomfortable, disgusting, insane, and off putting album yet with Girl with Basket of Fruit, and it’s in my opinion their best work. This album sounds like the mindset of someone who is losing their entire God damn mind. Filled with ramblings of nonsensical words I’ve tried to decipher but have failed greatly, this album is a haunting nightmare-inducing experience. The album opens with the title track, an off the wall Hell ride that features abrasive tribal drums, manic sound textures, and Jamie’s obnoxious vocals with graphic lyrics detailing frogs jumping up a woman’s butthole, fucking a duck, and floating dicks. Yeah, it’s so absurd and humorous that even Jamie is aware enough to scream “Stop Laughing!” in the middle of one of the verses. The psychotic nature heightens even more on the following track “It Comes Out As A Joke,” where Jamie sounds like he’s in the midst of a bad acid trip while he destroys everything in his room. Picture Bob Geldof destroying his guitars and breaking furniture in Pink Floyd’s “The Wall.” It’s that kind of intensity but this song is even worse and makes that particular scene look like “Sesame Street.” The more ambient tracks like “Armargi ve Moo,” or “Ice Cream Truck” are more somber in tone, but are no less bizarre, with Jamie continuing to frantically rant these cryptic lyrics, and scathing violin that is the complete opposite of beautiful. Odd instrumental choices like these frequently appear throughout the album, like the weird chicken sound effects and incomprehensible audio clips on “Pumpkin Attack on Mommy and Daddy,” or the atmospheric sounds with tribalistic drums that echo the opening track on “Scisssssssors,” and with the bass in this production turned abrasively up and sounding intentionally  messy, it’s clear that the band wanted to create their most unsettling album yet, and my have they succeeded. Can this album become a bit of a gimmick at times? Most definitely, but what prevents this album from becoming a complete parody of “Industrial” or “Noise” music is that we all know by now the artistry of the band is completely sincere. They’re never about shock for shock’s sake, and Jamie sings on these tracks with overwhelming passion, but what most of these songs mean, whether they’re metaphoric or just flat-out nonsense is beyond me. I just strap myself in and enjoy this psychotic ride with a smile on my face. Maybe I need help.

Written By: Steven Sandoval 

Date: 02/13/19

Street Sects Announce New Album “The Kicking Mule”

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Austin, Texas based “Industrial” duo “Street Sects” have made quite the name for themselves. Releasing a myriad of EP’s and singles, and one full length album, “Street Sects” have quickly forced their way to the forefront of modern “Industrial” music with their abrasive and chaotic style, and now the band have announced that they will release their second full length LP The Kicking Mule on October 26th. The band have also released a new single from the upcoming album titled “In For a World of Hurt.” You can listen to the new track, as well as pre-order the album below:

 

The Kicking Mule Pre-order:

http://theflenser.com/streetsects/