HMLTD Share New Song “Loaded”

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“HMLTD” are one of the most exciting bands at the moment. The evolution of the band has been incredibly captivating going from their 2017 Post-Punk/Gothic singles to last year’s Synth-Pop heavy E.P. Hate Music Last Time Delete to their dark Electronic-laden Pop singles released late last year, they’ve been on many people’s “must watch” list and they still don’t even have a full length album! Today the band returned after what felt like an eternity with a brand new single “Loaded.” The song is about material wealth and spiritual poverty, and it’s deliciously catchy. You can watch the video for “Loaded” below:

 

 

Screaming City Shares New Music Video for “Dead from the Start”

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Following the release of his ambitious new E.P. Skeleton Man, Trip Logic a.k.a Screaming City has shared a new music video for one of the EP’s standout tracks “Dead from the Start,” and it’s a whirlwind of visuals that are as beautiful as they are nightmare and nausea-inducing. Skeleton Man is by far his darkest and heaviest work, moving further away from the “Electronic” heavy elements of his previous material and into “Industrial Metal” territory with glamorous theatrics. You can watch the music video for “Dead from the Start” below:

Bauhaus Reuniting for L.A. Show

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The Godfathers of Goth “Bauhaus” will reunite on November 3rd for a show at the “Hollywood Palladium” in Los Angeles, CA with all four original members. This follows the recent 40th anniversary tour with members Peter Murphy and David J, and now it’s looking like the younger bats will have a chance to see the original lineup perform together. Tickets go on sale this Friday September 13th at 10:00 A.M. PST.

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Swans Announce New Album “Leaving Meaning”

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Following 2016’s exhausting but enlightening journey through the body, mind, and soul we call The Glowing Man, “Swans” will return with their new album Leaving Meaning on October 25th via Young God Records/Mute. The album was written and produced by sole member Michael Gira with collaborations with Thor Harris, Norman Westberg, Ben Frost, The Necks, Baby Dee, Jennifer Gira, and Anna and Maria von Hausswolff. The band have also shared a new track off the upcoming album titled “It’s Coming It’s Real.” You can listen to the track below:

 

Portrayal of Guilt and Soft Kill Release Split 7”

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On the heels of their fantastic new E.P. Suffering is a Gift, Punk band “Portrayal of Guilt” have released more music with the band “Soft Kill” on a new 7” via “Closed Casket Activities.” Portrayal of Guilt’s track “Sacrificial Rite” is a tumultuous howl of doom that blends elements of both Punk and Metal, whereas Soft Kill’s track “Tin Foil Drip” is a lush and melodic shoegazey tune. You can stream as well as purchase the new 7” below:

https://portrayalofguilt.com/album/portrayal-of-guilt-soft-kill-split

Girl Band Share New Song “Going Norway”

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It’s an exciting time for “Girl Band” fans. The Noise Rock band have returned after four years with new music that’s scheduled to be released on September 27th. Following their previously released lead single “Shoulderblades,” the band have released a new track titled “Going Norway,” and with a new sense of rejuvenation, they’re pushing their usual anxiety-inducing, abrasive, and scuzzy style to the next level. Their new album The Talkies will be released on September 27th. You can watch the music video for “Going Norway” below:

 

Track Review: Ganser Premiere New Single “Bad Form”

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“When you’re in the middle of writing and recording, it’s very easy to fall into extreme feelings of guilt over procrastination, when you’re already stretched thin,” says Alicia Gaines, bassist and vocalist of Chicago “Post-Punk” band “Ganser,” and that feeling is immensely conveyed on their new single “Bad Form.” It’s a sentiment we can all relate to. The feeling that we’re just going through the motions, the feeling that we should be doing more, the feeling that nothing we do is ever enough, it’s an unfair pressure we put on ourselves, and that can lead to unbearable anxiety. “Ganser” are no strangers to the evocation of anxiety. The band have been creating noisey “Post-Punk” with a sprinkle of “Goth” for awhile now, and following last year’s debut album Odd Talk, it was clear that the band are without a doubt one of the most ambitious bands in Rock right now. Much of their music is loud, anxiety-inducing but not too abrasive to the point of being unlistenable, and their attention to crafting chaotic and unconventional instrumentation topped with poetic lyrical content that looks both outward and inward is vastly enthralling. Each member is pivotal to the band’s sound, they’re all pieces to a puzzle that just wouldn’t be complete if a member were absent. It’s easy to list what genres the band might draw influence from, but categorizing them wouldn’t suffice when describing the myriad of emotions and styles in their music.

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So what does their new single “Bad Form” sound like? Well, it sounds like a “Ganser” song, but it’s most definitely next level and completely stands on it’s own. Charlie Landsman’s guitar evokes a frantic feeling that ear-splittingly gives you a sense of urgency, Alicia Gaines’ pummeling bass hits you with a sinister groove, Brian Cundiff’s drums are sharp and piercing, and Nadia Garofalo’s vocals passionately echo the nervous nature of the instrumentation with a sense of catharsis that beautifully expresses the importance of self-therapy when confronting inner demons. “Too many people want too much attention,” sings Garofalo, as if she’s realizing the feeling of getting lost in other people’s needs or trying to balance friendships and relationships with work is taking it’s toll, and the refrain of “I know how it works” can be interpreted as the feeling of unsatisfying repetition or predictability. Sure this song deals with the darker side of the human psyche, but it features positive undertones as the band exorcises their demons together.

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“Bad Form” also has a beautifully shot music video directed by Kirsten Miccoli to accompany it. It stars Ganser, Monica Bahr, Liz Harvey, and Benji Morino, and it’s visually stunning with a dark nature that perfectly reflects the track’s sense of agitation and anxiety. The band make it known that visual art is just as important to them as music. Just look at how mindfully crafted their past music videos are with much attention to artistry and cinematography as opposed to just making a video of the band playing their instruments in an empty warehouse (we saw plenty of those videos in the 90’s.) The band want to utilize different aspects of art to express themselves, and that ambition is inspiring. It’s exciting to see where they’ll go next.

Written By: Steven Sandoval