King Gizzard & The Lizard Wizard Share New Song “Honey”

IMG_E6462

“King Gizzard & The Lizard Wizard” have shared a new song titled “Honey,” and it’s sure to please fans of Flying Microtonal Bananaan album that found the band exploring the many wonders of microtonal tuning. Though the track might come off as a b-side or a bonus track on a deluxe edition of the album, it still sounds very much like The Gizz, which is never a bad thing, and it takes us back to an era where the band were at the height of their creativity. I mean, the band released five albums in one year. Remember that? “Honey” also has a music video to accompany it, which according to the band was “shot at sunset during the apocalypse with a reeeeeeal long lens.” You can watch the music video for “Honey” below:

E.P. Review: Inalab – The Commons

IMG_E5695

Artist: Inalab

EP: The Commons

Genre: Orchestral/Electronic/Pop

Label: Self-released

Rating: 9/10

Hailing from New Delhi, musician Gaurav Balani has played with numerous musicians primarily playing bass, so he is an experienced musician who knows his away around collaborations, and his ambition most definitely shows on his debut E.P. The Commons under his project “Inalab.” Assembling musicians Shruti Dhasmana on vocals, Suyash Gabriel on drums, and Archit Anand and Shashank Singhania on keys and flute, Balani has composed a grandiose work of art that’s carefully constructed as opposed to sounding too self-indulgent. Rich in orchestral arrangements and a hint of Progressive Rock, The Commons fearlessly blends various genres and the result is an epic journey that contains a large cinematic tone. This E.P. ranges from jam band excitement to roaring songs with Dhasmana delivering soaring vocals that perfectly reflect the infectiously dramatic tone. There is never an empty space on this E.P. as the rhythm section manages to be distinct but never overbearing, the keys and sound textures add an Electronic element that brings forth a spacey and atmospheric tone, and the flute arrangements are undeniable as they soar majestically. Dhasmana’s powerful vocals grounds the music and makes it human contrasting the otherworldly sounds of the instrumentation. This is the perfect example of how a musical composition can be immensely detailed without sounding over-produced and can be translated flawlessly live, and that’s no easy feat. The Commons is some of the most inspired and utterly addictive music i’ve heard all year. I’m begging to hear more.

Written By: Steven Sandoval

Album Review: Socks and Ballerinas – Soap!

a0660971192_10

Artist: Socks and Ballerinas

Album: Soap!

Genre: Math Rock/Instrumental/Progressive Rock

Rating: 7/10

In a music world where artists emphasize sentiment and critics praise only those who strive to innovate, people have forgotten how to have fun once in awhile, but Helsinki, Finland based band “Socks and Ballerinas” haven’t forgotten what it means to make fun music to dance to. However, dancing to their music can be a difficult task, because their knack for creating odd “Math Rock” inspired instrumentation is far from the norm. Not much is known about the band. Their “Bandcamp” and social media profiles feature brief descriptions and very little background, which is odd because their music is technically skilled and quite impressive. What we do have is their new album Soap! The music definitely reflects the absurd nature of their name with wacky and zany melodies and irregular time signatures that can be frustrating for those who want consistent rhythmic structure. The drums are sharp and fast-paced, and the constant use of loop pedals gives the illusion that you’re hearing a five-member band, and there’s only two members! Soap! is an album that gives you a live experience without having to leave your house. It’s fun instrumental music that is as complex as it is accessibly catchy.

0015865198_10

https://socksandballerinas.bandcamp.com/releases

Written By: Steven Sandoval

Date: 09/24/19

Tool Release New Song “Fear Inoculum”

2E574F76-D462-4E74-8B69-8E5FA257876A

It’s finally happening! No really, it’s happening. “Tool” have returned with their first piece of new music since their last album 10,000 Days, which came out 13 years ago. The track is titled “Fear Inoculum,” and it’s the title track of their upcoming album set to be released on August 30th. The 10 minute song sounds very much like a Tool song. It’s heavy, drony, tribal, and epic. Would you expect any less from Tool? It’s been a big year for Tool fans. The band’s whole back catalogue is now available on all streaming services AND we’re getting a new album? The memes have officially ended. Tool’s back. You can listen to “Fear Inoculum” below:

 

 

King Gizzard & The Lizard Wizard Announce New Album “Fishing for Fishies”

E9260AEC-EE7B-440D-B19D-E715BEDF8607

Australian Psychedelic/Prog outfit “King Gizzard & The Lizard Wizard” took a well deserved break from releasing new music last year, because following a year where a band releases five damn albums that same year, one would assume said band would have to take some time off to recharge their batteries and, you know, sleep. It’s looking like the band have hit another spark of creativity though, because it has just been announced that the band will release a new album titled Fishing for Fishies on April 26th via “Flightless Records.” The album will feature the band’s previously released single “Cyboogie.” Pre-orders begin  Wednesday, March 13th.

 Fishing For Fishies Tracklist:

BC1FC11E-9255-4E93-AB9E-1B776DA0AF84

 

 

 

 

 

Black Mountain Announce New Album “Destroyer”

9844582A-7A53-49F7-A369-1C5B530255EE

Canadian “Psychedelic Rock” band “Black Mountain” are back sooner than expected. The band’s last album IV was released three years ago, and considering how big of a gap there was between that album’s predecessor and how busy the members are with other projects, it’s a surprise “Black Mountain” are back so soon, but it’s a pleasant surprise of course. The band will release a new album titled Destroyer on May 24th through “Jagjaguwar,” and today they’ve shared the album’s first single “Future Shade.” About the track, frontman Stephen McBean says “It has a riff that traveled around the world then hit the bong with a chorus a year and a half later. A last attempt at double frosting produced a chorus on chorus death match. Anxiety is the new Heavy Metal.” You can listen to the track below: