On this day in 1979 “Pink Floyd” released their legendary Rock opera The Wall. Though this was the point where member Roger Waters took it upon himself to take complete control of the band, which slowly diminished the rest of the band’s creative input, (he even fired pivotal member Richard Wright) this album still came out to be one of music’s most iconic concept albums. This album is an extensive cinematic experience that tells the story of a burnt out Rock star named Pink who begins to isolate himself from society which leads to his descent into madness. The character of Pink was based on Roger Waters himself and former member Syd Barrett. The album can be a bit pretentious, but the narrative of Pink’s mental downfall is captivating. The instrumentation was a lot more stripped back, which made room for the album’s narrative, but the theatrical and climactic moments added to the intensity of the album. In my opinion this was the band’s final masterpiece, but it also was the point where the band slowly began to fall apart, regardless of the creative differences and egos that plagued the band, their discography is the stuff of innovative legends, and The Wall is one of the best concept albums ever recorded. Happy Anniversary.
Artist: The Comet is Coming
Album: Trust in the Lifeforce of the Deep Mystery
Genre: Jazz/Nu-Jazz/Electronic/Psychedelic Rock
Label: Impulse! Records
Listening to London based trio “The Comet is Coming” is like having an LSD infused spiritual journey that is both meditative and exhausting. The attention to instrumental detail whether it be the spacey “Electronic” inspired keyboards, the crisp drums, or the sharp skittering saxophone which takes front and center, one thing is for sure, something in their music will resonate with you and pummel you with both tumult and melodic beauty. Self-described as “apocalyptic space funk,” the band fully introduced us to their world on their 2016 debut Channel the Spirits, now the band have returned with their follow-up Trust in the Lifeforce of the Deep Mystery. This album focuses even further on the themes of apocalypse and chaos completely through improvisational instrumentation. It’s darker in tone but no less melodic and immensely jam-filled. However, not much has changed from their previous work. This album is more of the same, but as of right now that’s okay, because the music still captivates and immerses you into their beautifully chaotic world, and to be able to do that with instrumentation alone and only one track that has spoken word vocals is no easy feat. Upon hearing them, it’s inevitable to yearn for a live experience of the band, and they have impressively captured what it must be like to see them live on record. This album is a reminder that “Jazz” infused improvisation is still alive and well, with the genre exploring new territories, and in the wake of this new-found interest in “Jazz,” this album couldn’t have arrived at a better time.
Written By: Steven Sandoval
Australian Psychedelic/Prog outfit “King Gizzard & The Lizard Wizard” took a well deserved break from releasing new music last year, because following a year where a band releases five damn albums that same year, one would assume said band would have to take some time off to recharge their batteries and, you know, sleep. It’s looking like the band have hit another spark of creativity though, because it has just been announced that the band will release a new album titled Fishing for Fishies on April 26th via “Flightless Records.” The album will feature the band’s previously released single “Cyboogie.” Pre-orders begin Wednesday, March 13th.
Fishing For Fishies Tracklist:
It’s been awhile since “Clinic” have blessed us with their oddball Psychedelia. Following their 2012 album Free Reign, the band will finally return with a new album titled Wheeltappers and Shunters on May 10th. The band have also released a new single titled “Rubber Bullets,” and it’s “Clinic” 101. You can watch the music video below:
Wheeltappers and Shunters Pre-order: