Track Review: Flying Rabbit – The Clap

Artist: Flying Rabbit

Song: The Clap

Genre: Psychedelic Rock/Alternative Rock/Jazz

Label: Self-released

Music that delves into the endless abyss of thought provoking themes and topics our multifaceted brains are capable of conjuring up is music that isn’t too keen on escapism. As compelling as this music may be, there’s a time and place for it, and sometimes we need an escape from reality. After all, I’m pretty sure your local bar isn’t the ideal place to play songs about existentialism on the jukebox. “Who wants shots?! Now what’s the meaning of life?” Sometimes music about the spirit of music and it’s healing abilities will suffice. “Flying Rabbit” are a band whose music contains immense substance and creativity, but they can also be a band that likes to have fun, and their song “The Clap” indicates that. This is the band’s version of a dance anthem. A dance anthem that resides in their own universe. This isn’t exactly club music, it’s definitely a “Flying Rabbit” song, but it is a celebration of the primal urge to dance when we hear an infectious rhythm. When we hear music that moves us, we dance, we sing, we clap. The sounds emitted from music possesses one person and goes to another, and another, and another. It’s contagious, it spreads. I can think of another thing under the name “the clap” that spreads, but I’m not going to get into that. Sorry, I just had to say it. Is this a comical analogy? The song title did prompt me to chuckle like a kid in class whose teacher just dropped the F-bomb, but in all seriousness, this track shows the immense versatility “Flying Rabbit” have in their song writing abilities and musicianship. They can make music for all moods. Now throw on this song and clap along. 

Written By: Steven Sandoval

Track Review: Flying Rabbit – In the Middle

Artist: Flying Rabbit

Song: In the Middle

Genre: Alternative/Jazz/Psychedelic Rock

Label: Self-released

 There’s no denying the fact that Oslo, Norway-based band “Flying Rabbit” stand on their own musically, lyrically, and aesthetically as they plunge themselves into a musical realm they’ve created on their own, not succumbing to any contemporary musical trends. Seriously, what other bands out there right now can you say “Flying Rabbit” sound like? I bet you can’t name any, and on top of that how do you categorize their music? Is their a name for Psychedelic-tinged Swing music with theatrical vocals that soar high and topical content that has no interest in sugar-coating the issues brought on by the current state of our species? It’s refreshing hearing a band this unique in this day and age of recycled ideas. The band have dropped another refreshing new track titled “In the Middle.” Unsurprisingly, much thought is provoked after hearing the line “Stand in the middle with me” from said track. What is the middle? Does it represent centrism in politics? Is this a cry from a class that appears to be fading due to the cost of living rising while most citizens can’t rely solely on the low wages they receive to live comfortably? Or does this represent unique personal identity, art, and ideas that separate themselves from the zeitgeist of the modern world? These are all loaded questions that arise when hearing “In the Middle,” and yet, the band have no interest in bombarding us with lectures or sloganeering. Instead, they offer skillfully upbeat instrumentation with a slightly sinister melody filled with the band’s signature Jazz soaked rhythm section combined with guitars that range from groovy to Southern Gothic to back the lyrical themes of corporate greed and the evils of cutthroat competition. This is music to dance to while the world falls apart, and in the midst of it all lead vocalist Emily C. Brannigan urges us to stand in the middle with her where our mind, body, and soul are intact, devoid of greedy corruption. It’s hard to make a song like this and not fall into cheap anthem territory, but “Flying Rabbit” do it so seamlessly, which makes their music that much more genuine.

Written By: Steven Sandoval

Flying Rabbit Share New Music Video for “Don’t Oppress Me”

Dancing Soviet soldiers in space. Need I say more? “Flying Rabbit” have released a new music video for their track “Don’t Oppress Me,” which appears on their new E.P. Eclectic Playground, and being one of the EP’s most standout tracks, it’s only fitting that the video reflects its zany nature. The video consists of captions for you to sing along to, repurposed footage of dancing Soviet soldiers from God knows where, and spacey visuals that are quite hypnotizing. This is more proof that “Flying Rabbit” are an incredibly unique band that demands your attention. You can watch the music video for “Don’t Oppress Me” below:

E.P. Review: Flying Rabbit – Eclectic Playground

Artist: Flying Rabbit

EP: Eclectic Playground

Genre: Psychedelic Rock/Jazz/Garage Rock

Label: Self-released

Rating: 8/10

 Describing “Flying Rabbit’s” debut E.P. Eclectic Playground is difficult. On one hand the music is contemporary “Psychedelic Rock”  breathing new life into the stagnant genre. The soaringly theatrical vocals with immense personality are a great addition to a genre that tends to breed “Beatles” worshippers or obvious “King Gizzard and the Lizard Wizard” influenced bands trying desperately to emulate their sound. On the other hand the music is just as Jazzy as it is psychedelic with frequent double bass and horns that will teleport you to a big city Jazz lounge. Eclectic Playground is the perfect title for this E.P. The band have built a world rich in eclecticism for us to play in, and they have no interest in being pigeonholed. Based in Oslo, Norway, “Flying Rabbit” combines the members’ various influences in a successful way that doesn’t sound scatterbrained or incohesive, all while maintaining a frequent “Psych Rock” style with enough acid soaked trippiness to make you wanna light up some incense and open up the curtains for your suncatcher. However, at the same time, the music even laughs at its reflection like on the opening track “New Age Witch.” There’s no doubt New Age spirituality is something that the band knows a thing or two about. “New Age Witch” comments on the claims of individualism from people who delve into metaphysical spirituality when ironically the lifestyle is more commonplace than ever. However, the track by no means shines a negative light on the lifestyle, instead, it informs those who feel like they can become this person overnight that it takes a lot of work and time to fully immerse yourself in the lifestyle and you won’t always find the answers to life by simply meditating or doing yoga. This track could have easily been heavy in gatekeeping elitism, but instead is quite thought provoking and insightful. The following tracks undoubtedly offer the same energy of genre blending and bending with powerful and at times zany vocals that playfully guide us through shifting emotions ranging from dark, to comedic, and to tongue-in-cheek like on the track “Don’t Oppress Me,” which is sung from the point of view of a self-absorbed brat who thinks they’re brilliant and never wrong. This track definitely has the most fun instrumental while the fusion of “Jazz” and “Psychedelia” erupts into an all-out finger-wagging jam. Tracks like the environmentally conscious “Keep on Digging” that forces us to think about how we’re truly making things worse by damaging the planet, which is based on a poem written by lead singer Emily C. Brannigan’s father, and the upbeat “Garage Rock” groovy “Running From Water” offer the variety the band promises us. They definitely deliver on that promise. The band are currently working on their debut full-length album, so this is merely a taste of what’s to come. 

Written By: Steven Sandoval

CMON Share New Single “Blu-ray Saturday”

It’s not exactly Saturday, but for some, everyday feels like a Saturday being cooped up at home due to social distancing. What do we do with all of this free time to ourselves? Well, some of us like to relax and watch movies all day, and if we’re lucky enough, with our loved ones. Some of us are losing our damn minds just aching for human interaction. Well, whatever your case may be, just remember you’re not alone. Listening to CMON’s new single “Blu-ray Saturday” captures that lazy but content feeling of being in the zone watching movies and relaxing. It’s definitely some of the band’s most laid back work with “Psychedelic” guitars, a very minimal beat, and soothing vocals that will make you want to stop living so fast and just enjoy the moment. This track is good for all moods. You can listen to “Blu-ray Saturday” below:

The Earflower Experiment Shares New Single “Grow” featuring Aman Saxena

Listening to “The Earflower Experiment’s” music is like taking a spiritual journey. Whether that journey be enlightening or nightmarish, one thing is certain, not a second of this music is wasted on filler, and you will feel this music and experience it’s cinematic epicness, and there’s always a climactic conclusion to each song. Sole member Astaaq Ahmed has released yet another new track under his “The Earflower Experiment” project that sets the bar very high for artists exploring the realms of “Psychedelic” and “Experimental” Rock. The track is titled “Grow,” and it features frequent collaborator Aman Saxena. You can listen to “Grow” below:

Movie Club Share New Single “Thunder”

Venice Beach duo “Movie Club” have been releasing E.P. after E.P. of skillfully structured instrumentals rich in California soaked “Rock” that would catch the attention of fans of “Psychedelia” and “Stoner Rock” since last year. Following their recent E.P. Man O’ War, the band are set to release their debut full-length album Black Flamingo in November. Today the band have shared the album’s first single “Thunder,” and it is another groovy tune that finds the duo doing what they do best, rocking our faces off. The track features bassist Tim Lefebvre (David Bowie, Black Crowes). You can listen to “Thunder” below:

Normal Average People Share New Single “Lemo // Memo”


South East London duo “Normal Average People” have released their second single “Lemo // Memo.” This follows their debut “Baggy Ankles.” Proving the band have immense versatility, “Lemo // Memo” is more melodic than its raucously confrontational predecessor, and features a hint of 60’s Psychedelia all while maintaining their Alternative/Post-Punk style. “Lemo // Memo” will appear on the band’s upcoming E.P. The Moon Salon which will be released on August 26th via “Blitzcat Records.” The E.P. is named after the rehearsal space of the bar members Sam and Emil used to work at where they would sneak back in after the bar would close and bring out amps they had hidden during the week. This is going to be a wild E.P. to say the least. You can listen to “Lemo // Memo” below:

King Gizzard & The Lizard Wizard Share New Song “Honey”


“King Gizzard & The Lizard Wizard” have shared a new song titled “Honey,” and it’s sure to please fans of Flying Microtonal Bananaan album that found the band exploring the many wonders of microtonal tuning. Though the track might come off as a b-side or a bonus track on a deluxe edition of the album, it still sounds very much like The Gizz, which is never a bad thing, and it takes us back to an era where the band were at the height of their creativity. I mean, the band released five albums in one year. Remember that? “Honey” also has a music video to accompany it, which according to the band was “shot at sunset during the apocalypse with a reeeeeeal long lens.” You can watch the music video for “Honey” below:

Track Review: The Earflower Experiment – Emerge (feat. Aman Saxena)


Artist: The Earflower Experiment

Song: Emerge (feat. Aman Saxena)

Genre: Alternative Rock/Psychedelic Rock/Indie Rock

Label: Self-released

New Delhi artist Astaaq Ahmed has proven himself to be an imaginative visionary with his project “The Earflower Experiment.” His music tells a story while he instrumentally delves into a myriad of genres that maintains his Psychedelic Folk style but isn’t limited as he incorporates clever production techniques and sound design. His new track “Emerge” featuring producer Aman Saxena solidifies his talent. On this track he metaphorically sings from the perspective of someone escaping an ocean as he nearly drowns, and this symbolizes getting out of a toxic relationship. While he sings over melancholy acoustic guitar, we hear waves and splashes from this metaphorical ocean as the track builds into a feeling of being reborn as he is now free. The track then smoothly transitions into a guitar lead final act that can be compared to a band like “Pink Floyd” as the Psychedelia makes itself more prominent and closes the book of this beautifully sentimental story. This is Ahmed at his most vulnerable, and yet he embraces the negative aspects of this relationship embedded in toxicity to recognize his self-worth. This is thoughtful music at its best.

Written By: Steven Sandoval